Audio Production Ultimate Ableton Live: Part 5 - MIDI and Audio Effects

Ultimate Ableton Live: Part 5 - MIDI and Audio Effects

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  • Course Delivery: On Demand
  • Duration: 4.5 

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Description

For years I've been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn't be a barrier. This class uses the same outline and syllabus I've used in my college classes for years, at a fraction of the cost.

This is Part 5: MIDI & Audio Effects

This is a really deep class - tons of content, tricks, and tips. I'll go through all of the Ableton Live Instruments in this class, with considerable detail on each one. We will also talk about synthesis tricks and tips, getting most out of your samplers, and tons of production tips. Topics include:

  • MIDI Effects
  • Arpeggiator
  • Chord MIDI Effect
  • MIDI Effect Racks
  • Note Length MIDI Effect
  • Pitch MIDI Effect
  • Random MIDI Effect
  • Scale MIDI Effect
  • Velocity MIDI Effect
  • Audio Effects
  • The three types of Audio Effects
  • ALL Ableton Audio Effects (and how to use them!)
  • Simple Delay
  • Ping Pong Delay
  • Filter Delay
  • Grain Delay
  • Chorus
  • Flanger
  • Reverb
  • Beat Repeat
  • Looper
  • EQ Three
  • EQ Eight
  • Auto Filter
  • Amp
  • Cabinet
  • Corpus
  • Dynamic Tube
  • Erosion
  • Frequency Shifter
  • Overdrive
  • Phaser
  • Redux
  • Resonator
  • Saturator
  • Vocoder
  • Compressor
  • Glue Compressor
  • Limiter
  • Multiband Dynamics
  • Gate
  • Auto Pan
  • External Audio Effect
  • Vinyl Distortion
  • Spectrum
  • Tuner
  • Utility

I will be making 6 (six!) complete classes in order to bring you the most comprehensive manual on Ableton Live production techniques ever created. Each class has Sets, sessions, and experiments for you to try on your own and follow along with.

You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.

J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.

He currently as an adjunct professor of composition at the University of St. Thomas, Macphail Academy of Music, and the CEO of Slam Academy in Minneapolis.

Audience:

  • Students who want a comprehensive understanding of Ableton Lve
  • Anyone interested in producing tracks, beats, synths, or any other music on their own
  • Students looking to understand the deeper levels of Ableton Live
  • Anyone interested in DJing and performing
 

Course Objectives

  • Section 1: Welcome & Overview
    • ADDITIONAL QUESTIONS
  • Section 2: MIDI Effects
    • ADDITIONAL QUESTIONS
  • Section 3: Audio Effects
    • ADDITIONAL QUESTIONS
  • Section 4: Time-Based Audio Effects
    • ADDITIONAL QUESTIONS
  • Section 5: Frequency-Based Audio Effects
    • ADDITIONAL QUESTIONS
  • Section 6: Dynamic-Based Audio Effects
    • ADDITIONAL QUESTIONS
  • Section 7: The Other Audio Effects
    • ADDITIONAL QUESTIONS
  • Section 8: Wrap Up
    • ADDITIONAL QUESTIONS
 

Topics Covered

  • Section 1: Welcome & Overview
  • Section 2: MIDI Effects
  • Section 3: Audio Effects
  • Section 4: Time-Based Audio Effects
  • Section 5: Frequency-Based Audio Effects
  • Section 6: Dynamic-Based Audio Effects
  • Section 7: The Other Audio Effects
  • Section 8: Wrap Up
 

Prerequisites

  • Taking Ultimate Ableton Live: Part 1 - The Interface & The Basics is a great place to start, but not required to get the most out of this course.
  • Taking Ultimate Ableton Live: Part 2 - Recording & Warping is also great, but not required to get the most out of this course.
  • Taking Ultimate Ableton Live: Part 3 - Producing & Editing is also great, but not required to get the most out of this course.
  • Taking Ultimate Ableton Live: Part 4 - Synths & Samplers is also great, but not required to get the most out of this course.
  • Access to Ableton Live will be required. Using the trail version (free for 30 days) would be a great way to start.
 

Subject Matter Expert

J. Anthony Allen has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.

J. Anthony Allen teaches at the University of St. Thomas in St. Paul, MN., and is an Ableton Live Certified Trainer. He is a co-founder and owner of Slam Academy, a multimedia educational space in downtown Minneapolis. Recently, Allen founded Hackademica – an innovative net-label for new music.

J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelor’s degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.

If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)

Got questions? Contact us below or call 877-881-2235

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